As a child, Charles Kerr moved around a lot. A real lot. "By the time I was 13, I'd liv
Hollywood
Bob has served as editor of In-plant Impressions since October of 1994. Prior to that he served for three years as managing editor of Printing Impressions, a commercial printing publication. Mr. Neubauer is very active in the U.S. in-plant industry. He attends all the major in-plant conferences and has visited more than 170 in-plant operations around the world. He has given presentations to numerous in-plant groups in the U.S., Canada and Australia, including the Association of College and University Printers and the In-plant Printing and Mailing Association. He also coordinates the annual In-Print contest, co-sponsored by IPMA and In-plant Impressions.
IT MAY not be a popular topic among in-plants, but sending work to outside printers is often a necessary part of an in-plant manager's job. After all, in-plants can't possibly print everything in-house. Still, some managers don't like to admit that. "At some industry conferences, it has been like hypocrisy talking about print procurement," admits Joe Tucker, administrator of State Printing and Mail Services for the state of Ohio.
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HOLDING AN open house is a great way for your in-plant to promote its capabilities and generate new business. All it takes is a little planning. To help you and give you some ideas, we spoke with three California in-plants that have held open houses. San Diego State University (SDSU), California State Polytechnic University-Pomona and California State University-Sacramento built on each others’ experiences to make their events even more successful. In all three cases, open houses were organized around the acquisition of new digital printing equipment. Leslie Rutledge, manager of ReproGraphic Services at SDSU, was the first of the three to take the plunge.
In 2001, ACUP headed to the Hollywood hills for a mixture of sun, education, camaraderie and just a touch of stardom.
Despite the "glamorous" work going on in sound stages right down the hall, the real excitement for Paramount's director of graphic services lies in the print shop. There was a time when the sight of a Klingon chowing down in the company cafeteria would have made Hector Amaya's jaw drop in amazement. But these days the executive director of Graphic Services at Paramount Pictures would hardly give such alien tablemates a second glance. It's all part of life at the giant Hollywood, Calif., studio, where dozens of TV shows like Star Trek: Voyager, Star Trek: Deep Space Nine, Frasier and Wings are shot
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